Moser, Elsbeth - The Chromatic Button Accordion
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  • Moser, Elsbeth - The Chromatic Button Accordion

Moser, Elsbeth - The Chromatic Button Accordion

Catalogue No: SIK1600ENG
C-Keyboard System

Arrangementaccordion
Product FormatSheet Music
ComposerMoser, Elsbeth
£42.50
Typically dispatched in 5-7 working days
Pages 140
Publication Date 13 December 2023
ISMN 9790003043630 (M003043630)
UPC 196288201984
Drawing on her many years of experience as an accordionist and teacher, Elsbeth Moser has produced a basic work for learning to play the button accordion. Moser’s accordion school relates to the C-keyboard button accordion and conveys essential basic knowledge of the instrument leading up to the greater challenges of playing the button accordion.

Contents

  1. Introduction – an Approach to Learning the Chromatic Button Accordion
  2. Chapter 1 – The Direction Problem
  3. The Verticals
  4. Exercise 1
  5. Exercise 2
  6. Chapter 2 – The Intervals on the Vertical
  7. 2.1 The Minor Third
  8. 2.2 The Tritone
  9. 2.3 The Major Sixth
  10. 2.4 The Octave
  11. Chapter 3 – The Vertical Range Exercises
  12. 3.1 Range Exercises with Individual Tones
  13. 3.2 Range Exercises with Minor Thirds
  14. 3.3 Range Exercises with Tritones
  15. 3.4 Range Exercises with Major Sixths
  16. 3.5 Range Exercises with Perfect Octaves
  17. 3.6 Exercises Explanation of the Symbols
  18. Chapter 4 – The Chromatics
  19. 4.1 The Diagonal and the Direct Path
  20. 4.2 The Horizontal and the Indirect Path
  21. 4.3 The Bridge
  22. 4.4 Range Exercises
  23. 4.4.1 Chromatically ascending and descending
  24. 4.4.2 Minor Thirds chromatically ascending
  25. 4.4.3 Tritones chromatically ascending
  26. 4.4.4 Major Sixths chromatically ascending
  27. 4.4.5 Perfect Octaves chromatically ascending
  28. 4.5 The Linear Chromatic Scale
  29. 4.5.1 Exercises, Chromatic In Parallel Motion
  30. 4.5.2 Exercises, Chromatic In Contrary Motion
  31. 4.6 Simultaneous and Successive Exercises in Identified Intervals
  32. 4.6.1 Exercises in Minor Thirds
  33. 4.6.2 Exercises in Tritones
  34. 4.6.3 Exercises in Major Sixths
  35. 4.6.4 Exercises in Perfect Octaves
  36. Chapter 5 – Four Other Intervals that Proceed Outward from C
  37. On the Direct Path from the First Row to the Second Row
  38. Major Third
  39. Perfect Fifth
  40. Minor Seventh
  41. Minor Ninth
  42. Formula 1 (Motto: to find something new, build upon something familiar)
  43. Exercises
  44. 1. Vertical Range Exercises, Ascending and Descending
  45. 2. Chromatic Range Exercises
  46. 3. Interval Exercises – simultaneous chromatics
  47. 4. Interval Exercises – successive chromatics
  48. Lessons 1 – 4 Playing the chains
  49. Summary
  50. Chapter 6 – The Five Remaining Intervals
  51. Major Second
  52. Perfect Fourth
  53. Minor Sixth
  54. Major Seventh
  55. Major Ninth
  56. The Direct Path and the Auxiliary Row
  57. Formula 2
  58. The relationships in the arrangement of the keys
  59. The transformation from the indirect to the direct path
  60. Chapter 7 – The Study of All of the Intervals on the Indirect Path
  61. The Interception Process
  62. Exercises 1 and 2: Connecting the Indirect and Direct Paths
  63. Formula 3
  64. Exercise 3: To Prepare for Fingering Variations A and B
  65. Formula 4
  66. Application of Fingering Variations A and B Using Examples
  67. Chapter 8 – Chromatic Variations for the Preceding on Intervals
  68. Building the Thirds
  69. Building the Fourths
  70. Chapter 9 – The Chords and Their Structure
  71. 9.1 Triads
  72. Exercises for Triads
  73. 9.2 Tetrachords
  74. Exercises for Tetrachords
  75. 9.3 Pentachords
  76. Examples of Pentachords
  77. Chapter 10 – The Major Scales and their Three Basic Fingerings
  78. 10.1 The Ascending Constellations
  79. Example: Sonata in D Minor by Domenico Scarlatti
  80. 10.2 The Descending Constellations.
  81. 10.3 Overview of the Basic Fingerings
  82. 10.3.1a First basic fingering, ascending
  83. 10.3.1b First basic fingering, descending
  84. 10.3.2a Third basic fingering, ascending
  85. 10.3.2b Third basic fingering, descending
  86. 10.3.3a Second basic fingering, ascending
  87. 10.3.3b Second basic fingering, descending
  88. 10.4 Basic exercises
  89. Chapter 11 – The Primary Five–Note Exercises In Major Keys
  90. Chapter 12 – The Primary Five–Note Exercises In Minor Keys
  91. Chapter 13 – Conclusion: Recognize – Think – Do
  92. “After–Thoughts” by Klaus–Ernst Behne
  93. Appendix – Notes
  94. Elsbeth Moser
  95. Acknowledgements on the Translation
  96. Key Pages for Orientation to the Instrument
  97. Keyboard Diagrams
  98. Naming Conventions for Notes, Intervals, and Chords
  99. Cross Reference to Graphics for Intervals and Chords
  100. Chapter 3 – Positioning the Left Hand
  101. Cross Reference to Chapters between Editions
  102. Index
Sikorski
SIK1600ENG