Learning the Classic Guitar Part 3
search
  • Learning the Classic Guitar Part 3

Learning the Classic Guitar Part 3

Catalogue No: MLB94363M
ArrangementGuitar (Classical)
Product FormatSheet Music/Online Audio
£22.99
Awaiting restock from UK distributor, typically dispatched in 3-4 weeks
LanguageEnglish
Pages88
ISBN9780786691319 (078669131X)

Part three teaches the student to form clear and accurate concepts of music expression. It also teaches the guitarist how to perform in public with accuracy and confidence. The book is filled with carefully graded original exercises and pieces. Written in standard notation only. Includes access to online audio that follows examples in the book.

Contents

  1. Introduction
  2. Approaching Expressive Interpretation
  3. The Expressive Musician
  4. Expression and Technique
  5. Regarding Early Music
  6. The Basis of Expressive Playing Enhancing and Creating Musical Contrast
  7. Expression and the Score
  8. Beginning to Play Expressively: Observing Melodic Contour
  9. The Moving and Shaping Forces of Music
  10. Attractions
  11. Rhythmic Attraction
  12. Melodic Attraction
  13. Harmonic Attraction
  14. Organizing Rhythmic Contrasts: Note-Grouping and Phrasing
  15. The Figure
  16. The Phrase
  17. Defining Note-Grouping and Phrasing
  18. Rubato
  19. Upbeat Grouping
  20. Downbeat Grouping
  21. Summary
  22. Questions for Review
  23. Approaching Expression through Vocalization
  24. Applying Note-Grouping and Phrasing
  25. Applying Rubato and Dynamics
  26. Further Application of Upbeat Grouping
  27. Creating Mood and Spirit
  28. Note-Grouping in Quadruple Meter
  29. Pieces for Study
  30. The Cause of Performance Anxiety
  31. Evaluating Your Situation
  32. Regarding Technique and Memorization
  33. Approaching Performance Development
  34. Performance Anxiety and Negative Concerns
  35. Dealing with Errors During Performance
  36. Replacing Negative Concerns with Positive Concerns
  37. Beginning Performance Development
  38. Before You Begin
  39. The Practice Performance
  40. Establishing Your Concentration
  41. The Two Kinds of Performances
  42. Developmental Performance Procedure
  43. Approaching the Formal DP
  44. Learning Effective Stage Conduct
  45. Carrying the Guitar
  46. Guidelines for Walking to the Chair
  47. Guidelines for Bowing
  48. Practicing a Formal DP
  49. The Expressive Performance (EP)
MLB94363M