Early Music History Volume 12

Edited by Iain Fenlon

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twelve include: Guerrero L’homme arme masses and their models: Oral and written transmission in Ethiopian Christian chant: The motets of Philippe de Vitry and the fourteenth-century renaissance: Sight, sound and ceremony in the chapel of Galeazzo Maria Sforza.

Bibliographic Details

Contents

• 1. European knowledge of Arabic texts referring to music: some new material Charles Burnett
• 2. Guerreros Lhomme arme masses and their models Owen Rees
• 3. Oral and written transmission in Ethiopian Christian chant Kay Kaufman Shelemay, Peter Jeffery and Ingrid Monson
• 4. The motets of Philippe de Vitry and the fourteenth-century renaissance Andrew Wathey
• 5. Sight, sound and ceremony in the chapel of Galeazoo Maria Sforza Evelyn S. Welch
• Reviews.