Draws on original interviews with more than fifty professional musicians active in New York's jazz scene who play Brazilian-jazz fusions
Features new insights from Eliane Elias, Dom Salvador, Eumir Deodato, Maucha Adnet, Vinicius Cantuaria, Luciana Souza, Romero Lubambo, and Anat Cohen
Offers a new interdisciplinary framework for understanding music, competency, and international identity
Written for general readers and scholars alike, SamBop NYC explores Brazilian jazz in New York City--the music, musicians, cultural issues, and jazz industry. Blending American and Brazilian music, these musicians continue the legacies of bossa nova, samba jazz, and other styles, while expanding their skills, cultural understandings, and identities. The book draws on interviews with over fifty musicians, including Eliane Elias, Dom Salvador, Eumir Deodato, Maucha Adnet, Vinicius Cantuaria, Luciana Souza, Romero Lubambo, and Anat Cohen.
Contents
Dedication
Preface
Acknowledgements
Introduction: New York Brazilian Jazz
Chapter 1: Paying Dues and Carrying Flags: Demographic Diversity and Inequities among Musicians
Chapter 2: SamBop, Brazuca, and Transnational Polymusicalities
Chapter 3: Bossa Nova York: Popularity, Singers, and Anxieties
Chapter 4: Samba Jazz at Carnegie Hall: Genre Fusion in Instrumental Music
Chapter 5: From CDs to Covid-19: Professional Agency in Volatile Industries
List of Interviews
Selected Discography
Bibliography
Index
9780197619056
Brazilian Jazz in New York City during the New Millennium