Provides the first comprehensive study of the transition from the Renaissance modes to the major and minor keys of the 18th century music history
Proposes a model for the transition from modes to keys
Illuminates the shift from vocal to keyboard ways of conceptualizing tonal space
Offers an in-depth survey of Western European music theory from the Middle Ages to 1800
From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
Contents
Epigraph
Acknowledgments
List of Figures
List of Musical Examples
List of Tables
Preface
Chapter 1: A Model for Change in Modal Theory & Practice
Chapter 2: A Brief Introduction to Modal Systems
Chapter 3: Making Sense of Early Modern Modal Theory
Chapter 4: The Tuoni in Italian Renaissance Theory
Chapter 5: The Baroque Church Tones in Western European Theory