Brings contemporary democratic theory to the understanding of the politics of modern musical practice
Demonstrates the substantial appeal of democratic principle for modern musicians, and delineates the many ways in which this interest can be implemented
Assesses the cultural politics of prominent figures and movements in modern and experimental music of the past sixty years
This book offers the first in-depth study of how musicians have sought to embody democracy through musical processes and relationships. Author Robert Adlington uses modern democratic theory to explore what he terms 'musical modelling of democracy' as manifested in modern and experimental music of the global North, and interrogates the contingencies and interests on which such visions of democracy are premised.
Contents
Acknowledgements
List of Examples and Figures
1. Deciding How to Decide: The Choices for Democratic Music-making
2. Curating Difference: Elliott Carter and Modernist Pluralism
3. Admitting Interests: On the Openness of Musical Indeterminacy
4. Empowering Others: Audience Participation as 'Democracy in Action'
5. Practising Egalitarianism: Free Improvisation and the Limits to Inclusive Music-making
6. Ungrounded: Musical Models of Democracy in the Age of Epistemic Chaos