Provides critical perspectives on the history of music-evolution and the resurgent field of evolutionary musicology
Offers critical readings of music-evolution texts by Charles Darwin, Herbert Spencer, and Edmund Gurney, among others
Brings together music theory and music cognition, as well as evolutionary biology, historical musicology, gender/sexuality studies, post-colonial studies, and affect theories
Demonstrates music's treatment as an especially fraught subject of evolutionary thought
Theorizing Music Evolution is a critical examination of ideas about musical origins, with emphasis on nineteenth-century music-evolutionary texts by Charles Darwin and Herbert Spencer. In a ground-breaking contribution to music theory and histories of science, author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in lights of its ties to a recently revitalized subfield of evolutionary musicology.
Contents
List of Figures
Introduction - Music and Evolution Revisited
The Revival of Evolutionary Musicology
Historicizing Music as a Deconstructed Thing
Evolutionary Claims are Ontological Claims
Book Structure and Chapter Summaries
Chapter 1 - Herbert Spencer Writes to Alfred Tennyson
Spencer the Evolutionist
Spencer Writes to Charles Darwin
The Shifting Terrain of Victorian Evolution Theories
Spencer's Earworm
Chapter 2 - Charles Darwin VS. Herbert Spencer on the Origins of Music
Music in Darwin's Early Notebooks and The Descent of Man
Music in Darwin's The Expression of the Emotions in Man and Animals
Spencer's Theory of Music Perception
Spencer and Darwin's Entwined Theories of Music
A Debate Without a Winner
Chapter 3 - Sound Symbolism in Spencer's Evolutionary Thought
Spencer's Evolutionary Theory of Music - Basic Theses
Sound Symbolism as Imperial Metaphor in Spencer's Evolutionary Thought
Music and Language as Constructed through Theories of Origins
Plato's Contribution: Centering Sound Symbolism
Implications and Consequences of Spencer's Sound Symbolism
Evolutionary Voices and Non-Linear Histories
Chapter 4 - The Darwinian Musical Hypothesis
What is the Darwinian Musical Hypothesis?
Antoinette Brown Blackwell's Feminist Critique of Darwin
Problems with Applying Darwin's Theory of Sexual Selection
Darwinian Musical Aesthetics
Against Adaptationism
Chapter 5 - Edmund Gurney's Darwinian Music Formalism
Gurney's Evolutionary Music Theory as Idealized Model