Furthers the integration of music into the field of classical reception studies, balancing text and music in order to illuminate the nature of lyric
Identifies important lyric characteristics that run throughout Catullus's corpus of poems
Presents musical reception case studies to develop a wider understanding of Catullus's lyric voice
Demonstrates how study of ancient sources is fundamental to our understanding of a musical work
Catullus in Twentieth-Century Music reinvigorates discussions around the nature of Catullus's lyricism, centring around four musical works from the twentieth century. Stephanie Oade considers how and why musical composers used Catullus's poetry as their stimulus to uncover new ideas about Catullus's poetry.
Contents
1 Introduction
Part I: Catullus as a Lyric Poet
The Context: Ideas of Lyric
2 Catullus Within the Ancient Lyric Tradition
3 A Modern Lyric View of Catullus
4 Music and Lyric
Part II: Lyric and Song
The Context: The Catullus of Rorem and Rawsthorne
5 The Lyric Setting in Rorem s Catullus: On the Burial of his Brother
6 Instability in Catullus 3 and Rawsthorne s Lament for a Sparrow
Part III: Staging the Cycle
The Context: Orff s Catullus
7 Cycles in Catullus and Orff s Catulli Carmina: Ludi Scaenici
8 Orff s Narrative-Dramatic Cycle
Part IV: Lyric and Drama
The Context: The Presence of Catullus 64 in Strauss-Hofmannsthal s Ariadne auf Naxos
9 Lyric Structures in Catullus 64 and Strauss-Hofmannsthal s Ariadne auf Naxos