Exploring the ballet boom in Britain during WWII, this book asks how art and artists thrive during conflict. Author Karen Eliot shows how ballet in Britain flourished during war, exhibiting a surprising heterogeneity and vibrant populism. The book focuses especially on the roles of dance critics, male and female dancers, producers, audiences, and choreographers.
CONTENTS
Preface
Introduction
Chapter One: The British Ballet and its Critics at the Onset of War
Chapter Two: Making Ballet Central to British Wartime Experience
Chapter Three: The Dancers' Experience
Chapter Four: Propaganda, Publicity, and Social Pressure: Ballet in Discourse and Deed
Chapter Five: The Function of the Classics in Wartime
Chapter Six: Programming the Repertoire
Chapter Seven: British Choreography during the War
Afterword
Index