Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.
CONTENTS
Acknowledgements
Introduction
1. Impossible Spectacles: Death, Dance, and Direct Expression
2. Imagining the Dancing Machine
3. Three Stories about Private Parts
4. The Politics of Watching: Staging Sacrifice Across the Atlantic
5. Watching After Weimar
Coda
Index
Series | Oxford Studies in Dance Theory |
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