Diamond, Beverley - Transforming Ethnomusicology Volume I

This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.

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CONTENTS

Ethnomusicological Praxis: An Introduction
Beverley Diamond and Salwa El-Shawan Castelo-Branco
Chapter 1: Changing Praxis and Ethical Practice: Lessons for Ethnomusicology from Applied Anthropology
Tony Seeger
Chapter 2: International Council for Traditional Music and Society for Ethnomusicology: A Reflection through Two Complementary Lenses
Svanibor Pettan
Chapter 3: Collaborative Ethnography: Trends, Developments, and Opportunities
Luke Eric Lassiter
Chapter 4: Sincerely Outspoken: Towards a Critical Activist Ethnomusicology
David A. McDonald
Chapter 5: How Is that Going to Help Anyone? A Critical Activist Ethnomusicology
Oliver Y. Shao
Chapter 6: Praxis through Honk: The Rise of Politically Active Street Brass Bands in the United States
Becky Liebman
Chapter 7: Zafe Fatra (The Affair of Trash) and the Affair of Scholarly Engagement: Can Music (and Music Scholarship) Really Clean Up the Streets of Port-au-Prince?
Rebecca Dirksen
Chapter 8: Engaged Activist Research: Dialogical Interventions Towards Revitalizing the Chinese Glove Puppet Theatre in Penang
Tan Sooi Beng
Chapter 9: On Not Knowing: Academically Based Community Service, Faith Based Organizations, and the Transformation of Ethnomusicological Praxis
Carol Muller and Nina Ohman
Chapter 10: Performing Transitional Justice: Song, Truth-telling and Memory in South Sudan
Angela Impey
Chapter 11: Witnessing: A Methodology
Deborah Wong