In Inca Music Reimagined, author Vera Wolkowicz argues that Peruvian, Ecuadorian, and Argentine composers in the early twentieth century consciously featured indigenous signifiers in their operas in order to produce a self-consciously Latin American art.
CONTENTS
List of Figures
List of Musical Examples
Acknowledgments
Introduction - Indigenous musical heritage and Latin American art music
1. Shaping a continental identity: race, nations, civilizations, utopia, and the arts
2. We are the Incas Discussing Indigenism in national musical discourse in Peru
3. To be Inca or not to be Inca? Building Ecuador's musical past
4. Argentina and the appropriation of the Inca past?
5. The Incas go to the opera?
Epilogue - Art music and the Incas: past and present
Bibliography
List of journals and newspapers consulted
Index
Series | Currents in Latin American and Iberian Music |
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