-
Pianos
-
Guitars
- Instruments
-
Sheet Music
- Services
- Help & Advice
-
Events
- Manchester Jazz Festival Piano Trail 18 April to 26 May 2024
- Thursday 25 April 6.30pm; Exploring Bulgarian music by Pipkov and Vladigerov
- Saturday 4 May 2024, from 10:30 am - Let’s Play The Piano! Mini Meetups
- Friday 10 May, 6:30 PM - Piano Recitals by Tristan MacWhirter & Pam Kijoran, Students of Alexandra Dariescu
- Saturday 18 May: Thomas Pitfield Book Launch in Ashley, Cheshire
- Friday 24 May, 7:00-8:30 - Julian Joseph - Manchester Jazz Festival
- Wednesday 5 June, 7:00 PM - Paul Harris 'How to sight-read' Workshop
- Past Events
- Music Lessons
- Blog
Mozart W.A. - Missa brevis in F (K.192) (Urtext).
Catalogue No: BA4770-90
Arrangement | Vocal and Piano |
---|---|
Composer | Wolfgang Amadeus Mozart |
Product Format | Sheet Music |
£11.00
Typically dispatched in 2-3 working days
The “Missa brevis in F major” K. 192, which can be regarded as a pinnacle of Mozart’s early masses, has been nicknamed “Little Credo Mass” due to the Credo calls interspersed throughout the third movement.
The autograph of the mass is dated Salzburg, 24 June 1774. Mozart intended the mass to be used for Sundays and smaller church holiday services at the Salzburg Cathedral, the archives of which hold the authentic transcription of the parts with amendments made by Mozart.
The parts of the two clarions added by Mozart at a later time were apparently written in haste, as is evident from several harmonic progression errors (parallel fifths and parallel octaves). They were first evaluated in the “New Mozart Edition” (NMA) by Walter Senn and have been printed in this edition in smaller typeface.
The autograph of the mass is dated Salzburg, 24 June 1774. Mozart intended the mass to be used for Sundays and smaller church holiday services at the Salzburg Cathedral, the archives of which hold the authentic transcription of the parts with amendments made by Mozart.
The parts of the two clarions added by Mozart at a later time were apparently written in haste, as is evident from several harmonic progression errors (parallel fifths and parallel octaves). They were first evaluated in the “New Mozart Edition” (NMA) by Walter Senn and have been printed in this edition in smaller typeface.
Series | Bärenreiter Urtext |
---|---|
ISMN | 9790006456178 (M006456178) |
Arrangement | Vocal and Piano |
---|---|
Composer | Wolfgang Amadeus Mozart |
Product Format | Sheet Music |