Mozart, W A - Complete Works Vol.1 for Violin and Piano

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Contains 'Allegro di molto': 1st movement from Sonata in A, K.305, set on the 2008-2011 ABRSM Grade 7 syllabus.

Mozart, Wolfgang Amadeus (1756-1791)

Complete Works for Piano and Violin, Vol. 1
Early Sonatas for Piano and Violin 1764-1779
Instrumentation: Violin, Piano

Reviews of this publication:

* Wolfgang Amadeus Mozart

This new publication contains all the completed works by Wolfgang
Amadeus Mozart for Violin
and Piano (BA 5761, BA 5762). Several works by Mozart which are not
found in competing
editions are presented in the new Bärenreiter Edition with the
Urtext of the New Mozart
Edition: Sonatas 6–9, Sonatas 26–31, the Andante and Allegretto in C
major K. 404 as well
as the three sonata fragments K. 372, 403 and 402 completed by
Maximilian Stadler.

All this with the Urtext of the New Mozart Edition and in the large
format 24,3 x 31 cm,
plus a new preface by the Mozart scholar Dietrich Berke.

- Not just some, but all the works for Violin and Piano

- Urtext violin part plus an additional violin part prepared with
fingerings and bowings

- Large format 24,3 x 31 cm

- New informative preface by Mozart scholar Dietrich Berke

CONTENTS VOLUME I (BA 5761):

Sonatas K. 6–9

Sonatas K. 26–31

Sonatas K. 301–306

Sonata in C major K. 296

Sonata in B-flat major K. 378

CONTENTS VOLUME II (BA 5762):

Sonata in F major K. 376

Sonata in F major K. 377

Sonata in G major K. 379

Sonata in E-flat major K. 380

Sonata in B-flat major K. 454

Sonata in E-flat major K. 481

Sonata in A major K. 526

Sonata in F major K. 547

12 Variations in G major on a French song ”Le Bergère Célimène“ K.
359

6 Variations in G minor on a French song „Au bord d’une fontaine“ K.
360

Appendix I: Andante and Allegretto in C major K. 404,

Appendix II: Three sonata fragments completed by Maximilian Stadler

1. First movement of a sonata in B-flat major K. 372

2. Sonata in C major K. 403

3. Andante and Fugue from a Sonata in A major K. 402

„The result is impressive, and should have a widerspread appeal
among scholars and
performers alike… Thankfully, Bärenreiter have made it far easier
for amateurs, students and
professional musicians alike to choose their own course and free
themselves from such intervention.“

(The Concort Summer 2007)

„…a highly researched performing edition that will be of great
interest to all violonists…“

(ESTA – News & Views“ Spring 2006)