Kissel, Brigitte - Doubles cordes au violoncelle

    Catalogue No: HXGD1560
    ArrangementCello
    Product FormatSheet Music
    ComposerBrigitte Kissel
    £14.99
    Awaiting restock from UK distributor, typically dispatched in 3-4 weeks
    LanguageFrench
    Pages70
    ISMN9790231709650 (M231709650)

    English and French text

    This book contains complementary work on double-stopping for cellists from the first year up to intermediate level.
    Although the cello is essentially a monodic instrument, from time to time players bow on two, three or even all four strings together.
    Children should be given the opportunity as early on as possible to hear these double sounds (which are embryonic chords).
    This will have the advantage of enlarging their aural perception, and the young cellist will learn to "tame" the double sounds in a relaxed fashion.
    In Part One, the emphasis is on open string work, with more complex rhythms and bow positions introduced gradually.
    Even an advanced student should come back to this section from time to time.
    The following abbreviations for bow positions are used throughout this book:

    • (TA) = WB whole bow
    • (T) = H heel
    • (P) = P point
    • (M) = M middle

    In Parts Two and Three of this book the pupil will study the first four positions. Brief preparatory exercises are followed by suitable pieces and folksongs which, we trust, the student will enjoy playing.
    Part Four is dedicated to the study of thirds, followed by sixths.
    The book is rounded off by a study of the fifth and sixth positions, with three- and four-note chords.
    Each part has its own progression, from the easier up to the harder.
    This is the reason why the teachers are not compelled to follow the book page after page: within each part, they shall look up exercises and pieces that are aimed at their pupils.
    Mastering the art of double-stopping opens the door to whole new world of sound, which we hope the pupil will enjoy discovering.


    CONTENTS
    Part One: Open strings

    Practice in slurring
    Staccato practice
    Combining "détaché" and slurs
    More complex rhythms
    Compound time

    Part two: one open string - one stopped string
    1st position
    1st and 2nd positions
    1st and 3rd positions
    1st and 4th positions
    4 positions together

    Part Three: Two stopped strings
    1st position
    1st position with extensions - 1/2 position
    1st and 2nd positions
    1st, 2nd and 3rd positions
    1st and 4th positions
    4 positions together

    Part Four:
    Thirds
    Sixths
    Thirds and sixths together
    Learning the 5th and 6th positions
    Learning to play 3-note and 4-note chords

    Delrieu
    HXGD1560