Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar’s previous publication (Beginning Pieces for Classical Guitar), selections like “Carcassi Study #3” and “Sor Studies Nos. 5 and 6” require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, “Study No. 5” by Fernando Sor has beenwritten out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visée introduce the student guitarist to Baroque dances and ornamentation
Contents
Aguado - Study No. 21 in E Minor
Aguado - Lesson No. 2
Anonymous - Romanza (Romance de Amor)
Anonymous - Mi Favorita (Mazurka)
Bach - Gavotte I (Cello Suite No. 6, BWV 1012)
Bach - Bourr‚e, BWV 1002 (from ?Partita I for Solo Violin?)
Bach - Gavotte II (Cello Suite No. 6, BWV 1012)
Bach - Sarabande (from ?Partita I for Solo Violin?, BWV 1002)
Carcassi - Study No. 16, Op. 60
Carcassi - Study No. 3, Op. 60
Carcassi - Study No. 18, Op. 60
Carcassi - Study No. 11, Op. 59
Carcassi - Study No. 21, Op. 60
Carulli - Andante Op. 241, No. 18
De Vis‚e - Suite in D Minor (9 movements)
De Vis‚e - Passacaille
De Vis‚e - Minuet in E Minor
Dowland - Fantasia
Dowland - Fortune My Foe
Dowland - Melancholy Galliard
Dowland - Queen Elizabeth?s Galliard
Dowland - Sir John Smith?s Almain (Allemande)
Sor - Waltz Op. 32, No. 2
Giuliani - Allegretto Op. 51, No. 15
Johnson - Alman
Le Roy - Bransle de Bourgogne
Mudarra - Fantasia X (que contrehaze la harpa en la manera de Luduvico from ?Tres Libros?)