-
Pianos
-
Guitars
- Instruments
-
Sheet Music
- Services
- Help & Advice
-
Events
- Manchester Jazz Festival Piano Trail 18 April to 26 May 2024
- Thursday 25 April 6.30pm; Exploring Bulgarian music by Pipkov and Vladigerov
- Saturday 4 May 2024, from 10:30 am - Let’s Play The Piano! Mini Meetups
- Friday 10 May, 6:30 PM - Piano Recitals by Tristan MacWhirter & Pam Kijoran, Students of Alexandra Dariescu
- Saturday 18 May: Thomas Pitfield Book Launch in Ashley, Cheshire
- Friday 24 May, 7:00-8:30 - Julian Joseph - Manchester Jazz Festival
- Wednesday 5 June, 7:00 PM - Paul Harris 'How to sight-read' Workshop
- Past Events
- Music Lessons
- Blog
Brahms, Johannes - Piano Trio Opus 101
Catalogue No: BA9437
£25.00
Typically dispatched in 2-3 working days
Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph.
The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895.
Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.
The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895.
Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.