Expands scholarship on music videos to include representation of many marginalized groups
Showcases music videos from various marginalized communities in every chapter, focusing on the way people in those groups are representing themselves
Offers new insights into a wide range of sources, including blogs and think pieces, written by members of the communities represented in these videos
This new book fully expands our understanding of how historically marginalized groups are represented in music videos. Author Michael Austin explores the ways in which Asian and Pacific Islanders, Indigenous communities, the LGBTQIA+ community, drag performers, religious minorities, and the incarcerated are represented. The book also covers several contemporary controversies involving music videos, especially cultural appropriation. Importantly, this book also explores the ways in which marginalized communities use music videos as a way to find their own voice and represent themselves.
Contents
Acknowledgements
Introduction
Chapter 1. Dead Giveaway: Blaxploitation Aesthetics and Viral Music Videos
Chapter 2. China Dolls and Polynesian Beefcakes: Asians and Pacific Islanders in Music Videos
Chapter 3. Digital Natives and Cultural Tourists: Indigenous Peoples in Music Videos
Chapter 4. Camp, Kitsch, and Cowboys: Queerin' Country Music Videos
Chapter 5. Iconic and Iconoclastic Representations of New Religious Movements in Music Videos
Chapter 6. How to Make a Prison Music Video If You've Never Been to Prison