Positions collaborative music merchandise as emblematic of contemporary popular feminism
Identifies brand partnerships' link to music merchandise as an underdiscussed phenomenon within both media and popular music studies
Offers case studies highlighting how women of color contributed to the evolution of popular music merchandising approaches
Using the lens of feminized labor, Extended Play examines how female-identified musical artists use brand partnerships as a mode of artistic expression. This book classifies such promotional work as collaborative merchandise and examines its proliferation in the early twenty-first century.
Contents
Introduction: Can't Get Enough of Myself: The Feminization of Collaborative Music Merchandise
1. Mapping the Conditions for Feminized Collaborative Music Merchandise
2. Capturing Her Essence: Pop Star Fragrance Collections and Post-Feminist Entrepreneurship
3. Wearing Her Clothes: M.I.A. and the Post-Colonial Feminism of Recycled Fashion
4. Putting on Her Face: Rihanna and the Popular Feminism of Inclusive Beauty
5. Following Her Recipe: Patti LaBelle and Black Women's Soul Food Entrepreneurship
6. Playing Her Guitar: St. Vincent and the Post-Structural Feminism of Instrument Design
Conclusion: Overextended
Bibliography
Index
9780190085636
The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century