Features new archival work documenting the presence of enslaved and racially-marked individuals in seventeenth-century Italy
Integrates historical facts and data with a critical-theoretical analytic that considers the consequences of early modern slavery at an epistemological and historiographical level
Includes sound, music, and the voice in the history of race and race in the history of Western classical music
Voice, Slavery, and Race in Seventeenth-Century Florence argues for the power of sound -- particularly musical and vocal sounds -- to systems of racial and ethnic difference. Foregrounding newly discovered archival sources, Emily Wilbourne documents the significant presence of foreign and racially-marked individuals in Medici Florence, many of whom were living under conditions of slavery or unfree labor. This book considers how the musical and verbal sounds of these individuals were recruited to represent or communicate access to subjectivity, agency, and voice.
Contents
Prologo
Introduction
ACT ONE
Scene 1: Songs to Entertain Foreign Royalty
Scene 2: Comic Songs Imitating Foreign Voices
Scene 3: Music all'usanza loro (or Performed in a Foreign Way)
Scene 4: Turkish Music in Italy
Scene 5: Trumpets and Drums Played by Enslaved Musicians
Scene 6: Scholarly Transcriptions of Foreign Musical Sounds
Scene 7: Music Proper to Enslaved Singers
Intermezzo: Thinking from Enslaved Lives
ACT TWO
Scene 8: Introducing Giovannino Buonaccorsi
Scene 9: Buonaccorsi Sings on the Florentine Stage
Scene 10: Buonaccorsi as Court Jester
Scene 11: Buonaccorsi as a Black Gypsy
Scene 12: Buonaccorsi as a Soprano
Scene 13: Buonaccorsi Sings on the Venetian Stage
Intermezzo II: Thinking from Giovannino Buonaccorsi's Life