In The Early Film Music of Dmitry Shostakovich, Joan Titus examines the scores of six of Shostakovich's films, from 1928 through 1936 with an approach that combines film studies, musicology, Russian studies and original scholarship.
CONTENTS
Contents
Abbreviations
Notes on transliteration
About the Companion Website
Chapter 1: Introduction
Chapter 2: New Babylon (1928-1929) and Scoring for the Silent Film
Chapter 3: Alone (1929-1931) and the Beginnings of Sound Film
Chapter 4: Golden Mountains (1931) and the New Soviet Sound Film
Chapter 5: Counterplan (1932) and the Socialist Realist Film
Chapter 6: Youth of Maxim (1934-1935) and the Minimal Score
Chapter 7: Girlfriends (1935-1936) and the Girls of the Future
Chapter 8: Epilogue
Bibliography
Index
Series | Oxford Music / Media |
---|