Following James Tyler's earlier introduction to the four-and five-course guitar, this collaboration with Paul Sparks is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.
CONTENTS
Dedication
Preface
List of Illustrations
List of Tables
List of Musical Examples
List of Abbreviations
Acknowledgements
Part I: The Guitar in the Sixteenth CenturyJames Tyler:
1. Spain: La Guitarra de quatro ordenes
2. France: The Creation of the Repertory
3. England: '... yused of gentilmen, and of the best sort ...'
4. Italy: La Chitarra da sette corde
5. Italy: The Role of the Guitar in the Rise of Monody
Part II: The Spanish Guitar (c.1600-c.1750)James Tyler:
6. Italy: The Creation of the Repertory
7. France: Les Guitarristes Royals
8. 1. England
2. The Low Countries
3. Scandinavia
4. Germany and the Austrian Empire
9. Spain, Portugal, and the New World
Appendix I. A Brief Guide to Reading and Interpreting Baroque Guitar Tablatures
Appendix II. Sources of Specific Information on the Tuning and Stringing of the Five-course Guitar
Appendix III. The Mandora
Part III: The Origins of the Classical GuitarPaul Sparks:
10. 1750-69: The Emergence of the Six-Course Guitar
1. Spain, Portugal, and South America
2. France
3. Britain
11. 1770-89: The First Six-String Guitars
1. A Short History of String Making
2. Spain, South America, and Portugal
3. Italy
4. France
5. England. Germany, and Austria
12. 1790 to the Early 1800s: The Triumph of the Six-String Guitar
1. Spain and Portugal
2. Britain
3. Italy
4. France
5. Germany, Austria, and Elsewhere
13. The Guitar 1750-c.1800: Practical Information
1. The Instrument
2. Strings
3. Playing Positions
4. Specialist Techniques and Ornamentation
Appendix IV: Primary Sources (1750-c. 1800)
1. Paris - Instrumental Music (Published)
2. Paris - Songs with Guitar Accompaniment (Published)
3. Guitar Methods (Published and Manuscript)
4. Non-Parisian Guitar Music (Published and Manuscript)
Appendix V: Pieces for Guitar (c.1750-c.!800)
Bibliography of Secondary Sources
Index