This book is a detailed study of the recordings and approach to performance of the Canadian pianist, broadcaster, writer, and composer Glenn Gould (1932-82). While focusing primarily on his extraordinary recorded performances, Kevin Bazzana also situates Gould's work and thought within broader musical, cultural, and historical contexts. Drawing on a wide range of Gould recordings and related literature, the book is divided into two parts: the first exploring Gould's aesthetic premises, the second discussing characteristic features of his piano style. The book is illustrated with graphic musical examples and plates.
CONTENTS
Preface and Acknowledgements
Notes on Format
List of Musical Examples
List of Plates
List of Gould Performances Cited
Introduction
Part 1: Premises
1 Aesthetics and Repertoire
2 The Role of the Performer
3 Performance as Discourse
Part 2: Practices
4 Gould and the Piano
5 Counterpoint
6 Rhythm
7 Dynamics
8 Articulation and Phrasing
9 Ornamentation
10 Recording Technology
Conclusion
Bibliography