The English courtly masque was a lavish multi-dimensional entertainment which flourished during the reigns of the first two Stuarts. It involves some of the greatest artists of early 17th-century England. Although it has received considerable attenton from literary scholars, this is the first study of its music. By combining documentary, textual, and musical evidence, Peter Walls builds up a picture of the form and function of music in the masque, from the ascension of James I until the beginning of the civil war.
Series | Oxford Monographs on Music |
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