In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso examines the historical challenge of representing listening on screen.
CONTENTS
Contents
Acknowledgments
Introduction
Part I: The Character-as-Vector
ONE Music, Off Stage
TWO The Listener in the Picture
THREE The Radio Broadcast as Anamorphic Spot
FOUR The Spectator as Situated Listener
Part II: Heterological Silence
FIVE Epiphanies
SIX Love at First Sight
Conclusion
Bibliography
Index