Early Music History Volume 3

Edited by Iain Fenlon

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century: Francesco Landini and the Florentine cultural elite: and the Beneventan apostrophus in south Italian notation, AD 1000–1100.

Bibliographic Details

Contents

• 1. The Venetian privilege and music-printing in the sixteenth century Richard J. Agee
• 2. The Beneventan apostrophus in south Italian notation, AD 1000–1100 John Boe
• 3. A newly discovered Trecento fragment: scribal concordances in late-medieval Florentine manuscripts Mario Fabbri and John Nadas
• 4. Francesco Landini and the Florentine cultural elite Michael P. Long
• 5. New evidence for the biographies of Andrea and Giovanni Gabrieli Martin Morell
• 6. New sources of English fourteenth- and fifteenth-century polyphony Roger Bowers and Andrew Wathey
• Index.