Faure and Friends At Forsyths 

Kathryn Stott and her RNCM class perform music on 2 pianos, by Faure, Saint-Saens, Poulenc, Debussy and Ravel.

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A free socially-distanced evening piano recital in the Forsyth piano showroom!

First Floor, Forsyth, 126 Deansgate, Manchester M3 2GR

Friday 25 March 2022, 6.30pm – 7.30pm

Doors open at 6 pm, seating at 6:15 pm

please arrive early so everyone can be safely seated in time!

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FREE ENTRY! Advanced booking required:

 [email protected] | 0161 834 3281, ext. 100

An example of one of our past recitals on the 1st Floor Piano Showroom

Above: an example of one of our previous concerts on the first-floor piano showroom at Forsyths.

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This performance is part of our series of evening recitals in the beautiful acoustics of our vast piano showroom. As before, audience members will be asked to spread out throughout the showroom. Those able to stand may wish to do so for a better view, but piano stools will be available for everyone who wants one, and anyone who needs a seat is encouraged to inform us when booking so we can reserve one for them nearer the piano.

Programme

Approximately 1 hour

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Aaron Le Maistre and Kathryn Stott play:

Gabriel Fauré

'Berceuse' (Lullaby) from Dolly Suite

Camille Saint-Saëns, arr. Greg Anderson

'The Swan', from Carnival of the Animals

Jay Carroll and Daniel Ropota play:

Maurice Ravel

Introduction and Allegro 

Phillip Leslie and Juanjo Blázquez Garro play:

Francis Poulenc

'L'Embarquement pour Cythere'

Justine Gormley and Kathryn Stott play:

Claude Debussy

'Prélude a l'après-midi d'un faune' 

Victor Lim and Maria Luc play:

Maurice Ravel

'La valse'

Katherine Stott (in her own words)

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At the age of five, I made friends with the upright piano in our living room. That was the beginning of my musical journey, one which continues as you read this. It would appear that my initial progress was rapid and by the age of eight, I found myself at a boarding school for young musicians, the Yehudi Menuhin School. During my studies there, it’s now clear to me that I was heavily influenced by two occasional visitors to the school; Nadia Boulanger and Vlado Perlmuter. From them, my great passion for French music was ignited and Fauré in particular has remained the musical love of my life.

Further studies at the Royal College of Music in London then led me very abruptly into the life of a professional musician via the Leeds International Piano Competition. It remains the steepest learning curve I’ve ever experienced. After a rollercoaster three years, I realised that I needed to re-connect with chamber music in a bid to feel more connected to other musicians and after all, this had played an important part of my musical existence since being a child.

When, quite by chance, I met Yo-Yo Ma in 1978, it turned out to be one of the most fortuitous moments of my life. Since 1985, we have enjoyed a collaboration which has taken us to so many fascinating parts of the world and led to musical adventures with musicians who shared so much from their own traditions. I’ve always considered us to be intrepid musical explorers on our own individual paths but with an incredible bond that unites us on the creative highway.

Presently, I enjoy the challenge of creativity in a different way by bringing many musicians together once a year in my role as Artistic Director of the Australian Festival of Chamber Music. My love of curating and directing began in 1995 and since then I’ve brought to life many of my ideas in events lasting anything from long weekends to two weeks. I continue to push my capacity for exploring music I know nothing about and love bringing together unusual combinations whenever possible.

There are too many highlights in my career to mention. Yes, it was a thrill to perform at the Last Night of the Proms to millions around the world, but equally a massive thrill to have lit up twenty small faces in an inner city school while they jumped up and down to energetic piano music! Working with young musicians is something I feel passionate about and presently teach at the Academy of Music in Oslo. I’ve also had some truly exciting music written for me and enjoyed a particularly close collaboration with composer Graham Fitkin. What an unbelievable privilege it is to be immersed in a language which has no boundaries and has allowed me to share musical stories on a global scale; that little upright piano set me on quite a path! Talking of paths - I’ve also been found trekking in Nepal, Costa Rica, Bhutan or walking my spaniel Archie on the Yorkshire Moors. The journey continues.

Photo copyright: Jacqui Ferry